Articles

• NEW SOUND IN THE "NEW SOUND"

  Mirjana Veselinović-Hofman

  1-9

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• THE SONIC TURN: TOWARD A SOUNDING SONIC MATERIALISM

  Marcel Cobussen

  11-24

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• THE ROLE OF MUSIC ON THE YUGOSLAV COMPUTER DEMOSCENE

  Milan Milojković

  25-42

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• LA SERENATA PER UN SATELLITE (1969) DE BRUNO MADERNA: UNE “LIBERTE CONTROLEE” POUR UNE “ECOUTE DESORIENTEE”

  Pierre Albert Castanet

  43-61

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• INDETERMINATE-ORIENTED TO RATIONAL-ORIENTED: JOHN CAGE, PAPER IMPERFECTIONS, AND GRAPHIC NOTATIONS

  Chia-Ling Peng

  52-78

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• BETWEEN SINGING AND DYING: THE POSITION OF MUSIC IN THE NARRATIVE STRATEGIES OF THE THEATER WORK INFERNAL COMEDY: CONFESSIONS OF A SERIAL KILLER

  Radoš Mitrović

  79-90

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• SERBIAN TRADITIONAL SINGING IN AN ACADEMIC FRAMEWORK: TWENTY-FIVE YEARS OF TRADITIONAL SINGING PERFORMING PRACTICE AT THE FACULTY OF MUSIC IN BELGRADE

  Sanja Ranković

  91-105

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• ORNAMENTED SINGING IN THE FOLK SONGS OF THE SLOVAKS IN STARÁ PAZOVA, SERBIA

  Kristina Lomen

  106-133

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• ON MUSICAL MEMORY IN ĐORĐE MARKOVIĆ’S MONUMENTS: OVERTURE FOR PEACE

  Ljubica Ilić

  135-148

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• JONATHAN HARVEY’S STRING TRIO: THE RUSTIC AND THE SACRED

  Laura Emmery

  149-176

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• THE OEUVRE OF ISIDORA ŽEBELJAN Survey, Classification, Specificities, and Significance (I)

  Borislav Čičovački

  177-197

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• UNION IS STRENGTH – “A BALKAN HYMN” BY KALMAN ROTH-RONAY AT THE HAGUE PEACE CONFERENCE (1899) IN THE CONTEXT OF ANGLO-SERBIAN CULTURAL AND POLITICAL RELATIONS

  Marijana Kokanović Marković

  199-220

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• BEETHOVEN’S BLUE REMEMBERED HILLS

  Chris Walton

  221-228

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• INTERNATIONALE FERIENKURSE FÜR NEUE MUSIK IN DARMSTADT FROM THE YUGOSLAV PERSPECTIVES

  Joevan de Mattos Caitano

  229-268

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• MUSIC BEFORE THE MIND’S EYES: THE SUBLIME PRACTICE OF MUSICA RESERVATA AND SECONDA PRATTICA IN THE LIGHT OF THE TRANSFORMATIVE LUDUS PERFORMING AND LISTENING EXPERIENCE

  Milena Medić

  267-288

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• Mirjana Belić Koročkin Davidović and Radivoje Davidović: Eнрико Јосиф: виђења и сновиђења [Enriko Josif: Views and Visions]. Belgrade: Čigoja štampa [Čigoja publishing], 2022.

  Nataša Marjanović

  289-292

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• Creation based on the Already Created: Music Criticism, Essays and Studies by Petar Bingulac

  Dina Vojvodić

  293-295

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• Voice and Technique/Technology in Contemporary Music

  Bojana Radovanović

  296-297

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