Articles

• The Sound is My Personal Diary. Conversation with Svetlana Savić

  Ksenija Stevanović

  1-10

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• The Early Development of the Synthesizer and its Impact on Contemporary Popular Music: A Research Sketch

  Žarko Cvejić

  11-27

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• ’Roots in the age of YouTube’: Old and Contemporary Modes of Learning/Teaching in Serbian Frula Playing

  Iva Nenić

  28-47

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• (Re)Positioning Art Music in Contemporary Traditional and Digital Mass Media/Radio Context

  Мarija М. Karan

  49-63

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• Ivan Brkljačić: Love! – Saxophone Concerto

  Asja Radonjić

  65-75

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• Welcome Speech

  Ana Kotevska

  77-79

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• MUSICOLOGY AGAINST SILENCE Memories, Meaning, Value: Three Branches of Musicology amid Two Types of One Silence

  Mirjana Veselinović-Hofman

  80-91

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• Monographs on Composers as a Musicological Genre

  Melita Milin

  92-107

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• Einstein on the Beach: Opera Beyond Drama, Jelena Novak and John Richardson (eds), Abingdon, Routledge, 2019.

  Tristian Evans

  109-112

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• On the Margins of the Musicological Canon: the Generation of Composers Petar Stojanović, Petar Krstić and Stanislav Binički, Biljana Milanović (ed.), Belgrade, Serbian Musicological Society, Institute of Musicology of the SASA, 2019.

  Fatima Hadžić

  113-116

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• Srđan Teparić, Resemantization of Tonality in the First Half of the 20th Century (1917–1945), Belgrade, Faculty of Music, 2020.

  Ivana Medić

  116-120

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• CD "Milan Mihajlović – Orchestral Works", cpo, 2019.

  Stefan Cvetković

  120-122

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• Ethnochoreology in the Time of Social / Physical Distancing: Performing,Transmitting and Researching Dance in Conditions of Physical Separation

  Selena Rakočević

  123-125

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