Articles

• A GAME OF MIMICRY – MIMICKING A GAME. A CONVERSATION WITH TATJANA MILOŠEVIĆ

  Branka Popović

  1-10

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• MELODIC MODELS AND MODELLING – THE FUNDAMENTAL SYSTEM OF KNOWLEDGE ACQUISITION IN MUSIC

  Gordana Karan

  11-24

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• A NEW CONCEPT OF TEACHING AND LEARNING ABBA’S SONGS IN THE UNIVERSITY SOLFEGGIO CLASSROOM

  Milena Petrović

  25-49

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• ECO-PIANO ModEkAl

  Nino Jvania, Eka Chabashvili, Tamar Zhvania

  50-70

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• MEANING MATTERING IN BJÖRK’S BIOPHILIA – AN ANALYSIS FROM THE VIEWPOINT OF KAREN BARAD’S AGENTIAL REALISM

  Przemysław Degórski

  72-88

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• THE NON-EXISTENT PAST OF THE DISTANT FUTURE. About the Composition Post-Excavation Activities by Svetlana Maraš

  Ana Gnjatović

  89-104

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• CHAMBER MUSIC OF SZILÁRD MEZEI AND DIFFERENTIATED CONGRUENCE IN ITS COMPOSING LAYERS (II)

  Nemanja Sovtić

  105-126

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• Joseph Grim Feinberg, The Paradox of Authenticity: Folklore Performance in Post-Communist Slovakia, Madison, University of Wisconsin Press, 2018,

  Ana Zornjan Kulik

  127-131

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• PASSION & DEVOTION, Ljubiša Jovanović, flute Belgrade, Metropolis Music Company, 2020

  Marija Tomić

  132-136

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• Serbian Chant in the Context of Russo-Serbian Cultural Relations: The Long XVIII Century

  Marina Marković

  137-139

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