Articles

• MUSICOLOGY AS AN UNBOUNDED MUSICAL AND LIVED SPACE-TIME: A CONVERSATION WITH TIJANA POPOVIĆ MLADJENOVIĆ

  Ivana Petković Lozo

  1-20

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• THE WEB 2.0 SOCIAL MEDIA AS A SPACE FOR THE CREATION OF CLASSICAL MUSIC EXPERIENCES IN THE TIME OF THE PANDEMIC – THE CASE OF THE BELGRADE PHILHARMONIC ORCHESTRA

  Biljana Leković, Sanela Nikolić

  21-39

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• CHINESE PAINTING THEORY AS AN INSPIRATION: VLADIMIR TRMČIĆ’S TWO MUSIC CREATIONS ON CHINESE PAINTING

  Yuanning Zhang

  40-59

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• FOLEY GESTURE: TOWARDS A THEORY OF ACOUSMATIC FOLEY

  Sara Pinheiro

  60-83

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• AUGMENTED SONIC REALITY: Underneath for hyperorgan by Jasna Veličković

  Ivana Miladinović Prica

  85-95

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• BEING FASCINATED WITH MUSICAL SPACE-TIME: PIANO WORKS BY BRANKA POPOVIĆ (SOLITUDE: SELF REFLECTIONS, WITHIN A DENSE MOLECULAR CLOUD AND FROM RAYLEIGH TO MIE)

  Mina Božanić

  97-118

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• EXAMINING THE ‘HYPER’ STATUS OF VARÈSE’S ‘PRISM’

  Tijana Ilišević

  119-135

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• TRIBUTE TO ISIDORA

  Paul Cassidy

  137-138

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• THE OEUVRE OF ISIDORA ŽEBELJAN A Survey, Classification, Specificities, and Significance (II)

  Borislav Čičovački

  139-171

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• ENACTING MUSICAL MAQUETTES: A COGNITION-INSPIRED COMPOSITIONAL APPROACH

  Kenrick Ho

  172-184

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• Prof. Dr. Tijana Popović Mladjenović, Asst. Prof. Dr. Ivana Petković Lozo, Asst. Prof. Dr. Ivana Miladinović Prica, Diffractions of Berislav Popović’s Compositional, Music-Theoretical, Pedagogical, Social and Cultural Creation

  Zorica Premate

  185-188

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• Ivan Brkljačić, From Musical Flow to Musical Form. Belgrade: Faculty of Music – Rights and Royalties Publishing Company Ltd., 2022

  Gordana Karan

  189-192

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• Dr. Ira Prodanov, Dr. Nemanja Sovtić, Dr. Milan Milojković: The Composers’ Association of Vojvodina – 50 Years of Existence. Novi Sad: The Composers’ Association of Vojvodina – The Academy of Arts in Novi Sad, 2022

  Tatjana Mrđa Gerdec

  193-194

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