Music as an Aggregate of Colours. A Conversation with Marko Nikodijević

Jelena  Novak

doi:10.5937/newso2157001N

Jelena Novak Center for Study of the Sociology and Aesthetics of Music, Universidade NOVA de Lisboa

DOI: https://doi.org/10.5937/newso2157001N

Keywords: Marko Nikodijević, opera, 7 Deaths of maria Callas

Abstract

Conversation

Article received on June 9th 2021
Article accepted on June 14th 2021
UDC 78.071.1:929 Никодијевић М.(047.53)
DOI 10.5937/newso2157001N

Author Biography

Jelena Novak, Center for Study of the Sociology and Aesthetics of Music, Universidade NOVA de Lisboa

Jelena Novak (CESEM, Universidade NOVA de Lisboa) works as a researcher, lecturer, dramaturge, music critic and curator, aimed at bringing together critical theory and contemporary art. Her fields of interest are: music and opera in the age of posthuman, extended vocalities, singing and new media, capitalist realism, voice studies and feminine identities in music. Novak has been a founding committee member of the Society for Minimalist Music and a founding member of the editorial collective Teorija koja hoda, TkH [Walking Theory]. In 2013 she won the Thurnau Award for Music-Theatre Studies from the University of Bayreuth. Her most recent books are Postopera: Reinventing the Voice-Body (Ashgate/Routledge, 2015), Operofilia (Orion Art, 2018) and Einstein on the Beach: Opera Beyond Drama (co-edited with John Richardson, Routledge, 2019).