Articles

• IN MEMORIAM: Srđan Hofman (1944–2021)

  Ana Kotevska, editor of the column

  1-36

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• The Joy of Discovery. An Interview with Anica Sabo

  Ivana Vuksanović

  37-51

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• A New Sound and Anticipation of Unimaginable Reality – Sequenza III by Luciano Berio

  Valentina Radoman

  53-72

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• Associative Tonality and Tonal-Harmonic Third Relations in the Interpretation of Textual and Dramatic Meanings in Richard Strauss’s Elektra

  Marko Aleksić

  73-97

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• Ideological Aspects of Erotic Capital and Patriarchal Power Relations in the Visual Interpretations of Lola Astanova

  Rastko Buljančević

  98-116

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• Posthuman ‘Transformation’ Inside/on the Web. Ana Gnjatović: Arachne’s Dream for piano and live electronics

  Biljana Leković

  117-136

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• Chamber Music of Szilárd Mezei and Diferentiated Congruence in its Composing Layers (I)

  Nemanja Sovtić

  137-159

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• The Anti-War Voice of Buffy Sainte-Marie

  Guilherme Feitosa de Almeida

  161-172

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• The Legend of Ohrid – Reception of Balletization of the Dance Tradition

  Amra Latifić

  `173-189

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• Zorica Premate (Ed.), Tribine Novi zvučni prostori. Zbornik. Beograd: Centar za muzičku akciju, RTS izdavaštvo, 2019.

  Radoš Mitrović

  191-193

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• Music and Art in the Shaping of the European Cultural Identity

  Marija Simonović

  194-197

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