Articles

• Intuitive Journey through Vocal Diversity. A Conversation with Jug Marković

  Bojana Radovanović

  1-12

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• S is for Singing, Scene, Serbia: Tendencies in the world of 21st Century (Post)Opera

  Jelena Novak

  13-36

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• The Space Between Image and Music in the Film Without Words

  Aleksandra Kovač

  37-53

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• Semiosis of the Opera The Knock by Aleksandra Vrebalov

  Nataša Crnjanski

  55-79

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• Educational Mission of Milan Đ. Milićević (1831–1908) in the Context of Serbian Music Education

  Milena Petrović, Marina Marković, Sara Savović

  81-107

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• Women’s Leadership in Professional Ensembles of Folk Dances and Songs in Serbia

  Mirjana Zakić, Sanja Ranković

  109-119

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• Tobias Pontara, "Andrei Tarkovsky’s Sounding Cinema: Music and Meaning from Solaris to The Sacrifice". New York & London: Routledge, 2020, 206 pp.

  Rastko Buljančević

  121-124

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• Borislav Hložan (Ed.): Opsednute vedrine Dušana Radića [The Besieged Gaieties of Dušan Radić]. A Collection of Scholarly Papers Presented at the Musicological Conference Held in Novi Sad on 25 and 26 November 2021. Novi Sad: Kulturni centar Vojvodine “M

  Ira Prodanov

  125-129

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• Review of the 31st International Review of Composers in Belgrade (October 4th – October 8th, 2022)

  Radoš Mitrović

  130-135

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