Articles

• Music Beyond Human. A conversation with Michel van der Aa

  Jelena Novak

  7-22

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• From Kerman to Merzbow: Notes on the Metamorphoses of Music Analysis at the Turn of the Millennium

  Jiří Kubíček

  23-46

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• Moderate Modernism as the Third Way in the Opus of Alfredo Casella

  Maša Spaić

  47-69

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• Jeunesses musicales of Yugoslavia (1954–1991) Acitivities in the Countries of Eastern Bloc Through the Prism of Socialist Yugoslavia Cultural Diplomacy

  Ivana Vesić, Marija Golubović, Vanja Spasić

  70-90

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• Historical Contributions to the Study of Serbian-British Relations in the Field of Music and Culture from 1914 to 1941

  Dimitrije Mladjenović

  91-117

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• In Remembrance of Vesna Mikić (30 May 1967 – 30 October 2019)

  Sonja Marinković

  119-123

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• Pedagogical Work of Vesna Mikić

  Adriana Sabo

  124-138

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• Musicological Discourse of Vesna Mikić (1967–2019) – Characteristics, Effects, and Achievements

  Biljana Leković

  139-178

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• The Anatomy of Voice: Two Views on the Exhibition Post-Opera (“Tent” gallery and “V2_Lab for the Unstable Media”, Rotterdam, April 19 – June 30 and May 3–26 2019)

  Ivana Ilić, Iva Nenić

  179-199

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• Like in the Old Days. Concerning the piece “…and I need a room to receive five thousand people with raised glasses… or …what a glorious day, the birds are singing ‘halleluiah’…” by Ana Sokolović

  Ivana Miladinović Prica

  201-211

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• Folk Music Quotations and Allusions in Latvian Composers’ Neo-romantic Symphonic Music in the Last Decade of the 20th Century and Еarly 21st Century

  Jānis Kudiņš

  213-238

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• Српска уметничка музика као део фонда Музиколошке библиотеке Филозофског факултета у Љубљани: опис и критички осврт

  Miloš Marinković

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• Melita Milin, Ljubica Marić: komponovanje kao graditeljski čin [Ljubica Marić: Composing as an Act of Creation], Belgrade: Institute of Musicology SASA, 2018.

  Miloš Marinković

  239-242

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• Banatski Falstaf. Komična opera Pop Ćira i pop Spira Dejana Despića [Banatian Falstaff. Comic opera Priest Ćira and Priest Spira by Dejan Despic], Sonja Marinković and Nemanja Sovtić (Eds.), 2019.

  Monika Novaković

  243-247

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• Iva Nenić, Guslarke i sviračice na tradicionalnim instrumentima u Srbiji ‒ identifikacija zvukom [Gusle female players and female players on traditional instruments in Serbia ‒ identification by sound], Beograd, Clio, 2019.

  Ana Petrović

  247-251

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• A Review of the 28th International Review of Composers, 4–9 October 2019

  Radoš Mitrović

  251-258

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• Unity in Diversity: Local versus Global – Music and Art in the Shaping of the European Cultural Identity Faculty of Music, University of Arts in Belgrade, 1–5 July 2019

  Milica Petrović

  259-261

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