The House that is Here, but is not That: Оn the Lonesome Skyscraper by Ivana Ognjanović

Ana Gnjatović

Ana Gnjatović University of Priština, Faculty of Arts, Kosovska Mitrovica

Keywords: Ivana Ognjanović, Lonesome Skyscraper, sonic environment, acoustic space, time stretching, electroacoustic music, orchestra music

Abstract

This paper interprets the piece Lonesome Skyscraper for orchestra and electronics (2012) by Ivana Ognjanović, relying on the theoretical essay about the composition given by the author herself. Inspired by the fate of the tallest residential building in Pécs, which was evacuated because of a construction error and left abandoned and isolated for almost 30 years, I. Ognjanović creates an organic sound unity by connecting various ambient (field recordings) and concrete sounds in the electronic part with responses coming from the orchestral part. Using the time stretching technique, suspending the melodic component, and avoiding the formal and motivic development, the author builds her own version of the skyscraper, an acoustic space through which the memory of the sonic environment is howling.

Author Biography

Ana Gnjatović, University of Priština, Faculty of Arts, Kosovska Mitrovica

Ana Gnjatović, DMus is a Belgrade-based composer/performer/researcher of acoustic and electro-acoustic music. She finished her PhD studies in composition at the University of Arts in Belgrade. She is currently employed as associate professor at the Faculty of Arts Univeristy of Kosovska Mitrovica. Her pieces have been performed in concerts and festivals throughout Europe, in Israel, Mexico, USA and Japan.